
The little house in front is where Consuelo sleeps after she cleans the house and tucks the babies in to bed.
happenings from the mango tree...
I asked for some carrot and he gives me this instead. You know this young man, the self-made writer who started humbly (but wholeheartedly) in Poughkeepsie as an intern at the Poughkeepsie Journal...from chicken wangs and bbq sauce to boulud and amuse bouches...it's all the same, really, but he can describe it MUCH better than you or I...JJ and I have a happy jade garden that we tend to as much as possible, given the nature of this year for me... There is a photo of Pop, Sabina, and Beto holding a knife and cilantro in Colombia in 1981. The three of them are beautiful Borjas / siblings / disconnected/ connected only by blood it seems / and thousands of photos. Pop is wearing a red shirt in the photo, and all three have hair blacker than jet.
On a bench in 2005, I sat waiting for...absolutely nothing. Hmm. Apparently it was spring (no shoes or I am uncouth) and apparently this pigeon is a true city dweller...unflinching, brave...I ain't scared of your big ass foot! Get off that bench and kick me, I double dare you!!! So I guess I just took a photo instead of getting up. Wow, must have been one rrrrrrrrrrrreeeally productive year.
I remember that when I took this photo in 2005, I was so utterly pleased with myself that amidst the monochromatic distraction of the grey white and black leaves, there could be found a grey black and white face of a woman, sitting about 30 feet beyond the bush...street photography this was not! I might as well have been in a hitchcock movie, with a broken leg looking out a window with my binoculars.
Hemos comenzado. .jpg)
I see a lot of this kind of shit in 'art' school. Not all of it is shit. Much of it (the who and the when and the why matter, too, of course). I mean, the snap, you know, mattress against big blue eyes, with little regard to why / sans context / disposable camera / flash on camera. Trends, man...like the fucking female magazine world...I've been reading the same magazine since I was 13. Same applies to art trends, yes? Or maybe I'm just jealous because I haven't figured out how to light, yet...and strobe creates all these definitions/lines/borders that makes (darkroom) printing a dream. Also, outside of the color darkroom (where's the safe light, she says...), I see a lot of students fretting over the color of their shoes, when they shouldn't be wearing them in the first place...Like this photo maybe...monochrome, maybe a little magenta...but why even look at it? Why are we fine tuning it when it shouldn't even be looked at? No? Then again, LIKE I SHOULD BE TALKING...I spent an hour last (hungover) Sunday developing a roll of 3200 film I'd had since February only to switch the chemicals and emerge with nothing but the memory of snapping those 36 frames. Interestingly, I have NO clue what was on that roll...(memory / regret / forgetting / oblivion / history: discuss)...
I was standing against a black backdrop when a beautiful swan came into view. Swan, I said, halt, please lay your wings like so against this black back drop...Swan said why should I? I have to be paddling across a scenic setting in T Minus 10 minutes; tourists are depending on it. Swan, I said, you'll look much more beautiful like this. And that was enough.
...so rare...and so fine.